Weill, Toch & Schulhoff

ELENA VINK soprano (Toch)
CHAIM LEVANO speaker (Toch) 
DANIEL REUSS speaker (Schulhoff) 
BERNARD LOONEN tenor (Schulhoff) 
ASA OLSSON soprano (Schulhoff)

Weill, Toch und Schulhoff schrieben ihre Stücke in den späten 'roaring twenties' des letzten Jahrhunderts. Von Jazz und Unterhaltungsmusik inspiriert, zeigen diese 'live' Aufnahmen - von denen zwei sogar Ersteinspielungen sind - in den Worten des Gründers, Dirigent uns künstlerischer Leiter der Ebony Band, Werner Herbers, die unvergleichbare Musikalität und Vielseitigkeit dieser Periode der Musikgeschichte.


Weill wrote an orchestral suite for wind orchestra only four months after the Berlin premire of his Threepenny Opera (1928) by adapting eight of its most successful numbers. Toch moved to Berlin in 1929 and became one of the most frequently played living composers of his time.

'Egon und Emilie' is a satire on opera based on a charmingly mischievous libretto by the famous German poet and humorist Christian Morgenstern. The text, is a monologue by a grand diva having a nervous break_down, caused by the indifference and lack of interest of her companion Egon.

In 1930, Schulhoff, together with Otto Rombach, a dramatic author, writer, and journalist with the Frankfurter Zeitung, wrote the Jazz Oratorio 'H.M.S. Royal Oak', inspired by an actual event dating from 1928 when a violent quarrel had arisen among three officers about the music played by a small band in the officers' mess.